Showing posts with label ramones johnny thunders. Show all posts
Showing posts with label ramones johnny thunders. Show all posts

Saturday, February 5, 2011

MAYBE TOMORROW - A novel by Peter Nolan Smith Chapter 8

The two-day break from shooting dope had reduced Johnny to a shivering shell, but at least it was warm in his room, for snowflakes were falling outside his window. Judging from the weak light of day, he guessed the time to be a few hours past dawn. Every ounce of his body begged him to stay in bed, instead he got up and dressed in a matter of minutes, then walked down the hallway to room 301 and knocked hard on the door.

”What is it?” Sean opened the door with a sheet wrapped around him.

"We have to get equipment for the band." The only way GTH would happen was if Johnny did everything, so the other band members only had to worry about the music.

"Like what?" Sean scratched his head, as if he expected that he still had long hair.

"I'll tell you on the way. Get dressed and meet me in the lobby.” Johnny walked down the stairs on uneasy legs. A shot would staighten him out, but he didn’t want Charles to see him in his natural state.

"Looking good this morning.” Earl sneered from the desk. The alkie was no stranger to withdrawal symptoms from booze and appreciated someone else suffering for a change.

”Fuck you, Ernie.” Johnny committed this moment to his memory. His revenge would come the next time the desk clerk was three quarters short of a bottle of Thunderbird.

”Mighty touchy this morning.” Ernie returned to his newspaper. it was from two days ago.

Five minutes later Sean entered the lobby and Johnny wrapped his arms around his chest, as they walked to 8th Avenue to get a taxi.

”Do we really need to be doing this now?” Sean had drunk ten beers at CBGBs last night.

”Being in a band requires more than songs. Normally a manager might get equipment, but GTH doesn’t have a manager. Right now it’s you and me, unless you want to go back to the Terminal Hotel and be a bum.”

”No, I’m with you.” Sean spotted a cab and lifted his hand.

Once they were inside Johnny directed the driver Lower Manhattan stopping at various apartments to scavenge equipment from unhappy musicians, who also liked to see late.

Charles Bobo Shaw lent a drum kit for Frankie and Johnny redeemed a twitchy monitor system from a pawnshop on 3rd Avenue. They brought everything back to the Hotel Terminal.

”Ernie, we’ll be leaving this shit in the closet for a few hours.” Johnny gave the clerk two bottles of Zapple wine. “Make sure no one steals it.”

”No one steal anything in the Termimal, but time.” Ernie unscrewed the cap of one bottle and slugged down a big gulp. “It aint’ thunderbird, but it ain’t milk either. Thanks, Johnny.”

”I take care of your end. You take care of mine.” Johnny and Sean crammed the lobby closet with the equipment and then retreated to room 314 in the Hotel Terminal, where they adapted Sean’s poems LOVE NO LOVE, and TAKE ME HIGHER into songs.

Sean's lessons on bass were torture. The tips of his fingers were bloody after three songs.

"Don't worry, they'll be fine in a week." Johnny called their creative session to a halt and they killed the wait for Frankie by sampling Johnny’s record collection; Serge Gainsbourg’s BALLAD OF MELODY NELSON, Françoise Hardy’s PREMIERE BONJOUR DU JOUR, Brigitte Bardot’s HARLEY DAVIDSON, Spirit’s WE GOT NOTHING TO HIDE, Clear Light’s MR. BLUE, Judas Priest’s HEAD OUT ONTO THE HIGHWAY, Jeff Beck’ AIN’T SUPERSTIOUS, Joe Tex’s I DON’T BUMP WITH NO BIG FAT WOMEN, and David Porter’s SLOOPY. Songs the radio exiled from their playlists in favor of Captain and Tenille.

“It’s all about controlling the market.” Johnny had heard the stories from various underlings in the music industry. “When we’re kids, the ads told us to eat candy and buy toys and see movies and watch TV. You and I have fewer and fewer choices and music suffers from the same dilemma. The corporate executives expect us to act in a certain way, so years later we’ll react to the proper stimuli and buy the right cars, appliances, and presidents. Luckily punk is a detour from the traffic-jammed freeway of consumerism. They might have the cops to keep us from the off-ramps, only we’re running right through the road blocks.”

“You think ‘they’ will let ‘us’ stop people from buying shit?” Sean had no illusions about money’s influence over their free choice. Americans purchased cars with no style and consumptive gas mileage, drank a teeth-eating soda, and tobacco killed hundreds of thousands of people each year.

“A little, if they can make money from us at the same time.” Johnny had read Marx, Engels, Mao, and Lenin without translating the communist tracts into revolutionary actions, since his devotion to anarchy resisted authority at any level.

“Isn’t that a sell-out?”

“Even the MC5 had to eat. Didn’t you say that they played at your high school?”

“Yeah, my all-boys school raffled off the most chocolate bars in Boston and our reward from the diocese was a concert from MC5. The brothers had heard about KICK OUT THE JAMS and ordered the band to change the lyrics. We threatened a strike, if they couldn’t perform the song.”

“And there was a compromise?”

“No, they did the entire album, except KICK OUT THE JAMS. When they left the stage without saying ‘motherfucker’, we stamped our feet and smashed chairs, chanting ‘motherfucker’ at the top of our lungs.”

“And?”

“The MC5 returned for their encore.”

“They say the word?”

“Yes, and we never wore ties, jackets, or uniforms again.”

“Amen to the revolution.”

Just as the sun set behind the Palisades, Frankie knocked on the door. The young drummer looked like he had spent last night on a roof and was in need of a fix more than Johnny. He wasn’t getting a bag of dope for free and Johnny got to his feet.

”Time to work.”

”It’s a little early to hit Times Square.” Frankie was shaking for his jones.

”Not Times Square, but some manual labor.”

The three of them descended to the lobby and moved the furniture to the steps of the Terminal Hotel. The snow had stopped, but the air was colder than in the morning. Charles’ Lincoln was parked by the curb.

”I like people who are on time.” Johnny had no watch. “It shows that he’s serious.”

”I was on time too.” Frankie boasted with a whine.

”And I’m proud of you too.”

The muscular driver got out of the car and popped the trunk.

”Sorry, I can’t help you.” Charles poked his head from the rear window.

”No need. We have enough hands as it is.” Johnny loaded the drum into the back seat and the amps into the trunk. The three of them made another trip upstairs for the guitars, which barely fit into the front seat.

”This will be a tight squeeze.” The driver didn’t like using the TownCar as a truck, but he was Charles’ man and said, “The name is Bobby and if I think you’re out to rip off Mr. Ames, then I rip off your ear.”

”Thanks for the warning.” Johnny opened the back door and the four of them rode in the cramped back seat to a block north of the Manhattan Bridge in Chinatown.

“This is it.” Johnny helped Charles from the car, pointing to the five-story commercial building. No lights shone from the windows and a faint stench emanated from the brick walls. Frankie hated stairs with the passion of any project dweller. “Is there an elevator?”

“Straight to the penthouse.” Johnny unloaded an amp.

“Sheer luxury after the Terminal.” Sean hauled his bass into the building.

An inhuman babble pierced the walls, as they filled the freight elevator.

Frankie asked, “What’s that noise?”

“And that smell?” Sean kicked at the feathers on the floor.

A door opened in the corridor and a sweating Chinaman threw a bag of bones from a harshly lit room.

Inside scores of laborers slaughtered hundreds of chicken. Another Chinaman dumped the bones into an industrial grinder. Johnny ushered the band onto the industrial lift, pressing the button for the top floor. As the elevator rose from the ground floor, the driver coughed, "Shit, that’d make a maggot gag."

"That’s why the rent is so cheap." Johnny smelled his sleeve for the reek and Sean tried to spit out the stench. “Now we’ve solved the mystery of General Tso’s Chicken.”

Charles had never smelled such a gut-churning odor. “Is this the best you could find?”

“Believe me I saw more worse places." A damp basement below Avenue C had been cheaper, although the shooting gallery on the second floor presented too great a temptation for Johnny or Frankie. “Here we have no neighbors to complain about noise, so we can practice at any hour.”

Frankie yowled at the top of his lungs and the other band members covered their ears. <

Last night’s bands at Max’s and CBGB’s had proven musical talent wasn't a prerequisite for this ‘scene’. Still Charles Ames III was partial to a voice more melodious than the chickens’ death clucks.

"Are you the lead singer?"

“No, I beat the drums.” The teenager rattled the tambourine in the air to annoy the rich kid. “Hey, Mr. Tambourine Man, play a song for me.”

“Nice try, next." Charles’ manner sat uneasily with the other three, for no band is a true democracy or a strict dictatorship and Johnny suggested, "Either Sean or me."

"Can either of you sing?" Charles lifted a dented microphone.

The Hung’s final gig had been for two spoiled brothers on Brush Hill Road. They had thought the world owed them a laugh. Sean had taught them what was funny when they had chained a deaf girl naked in a dog house and Charles was primed for a similar lesson.

"I was in a choir."

The squat Italian driver laughed from his belly.

He wasn’t in the band and Sean demanded, “Why you laughing?”

“You being a frigging choir boy.” The driver’s scoff suggested he only visited to church to rob the collection plate and the guitarist stepped between them. “Luckily GTH will never be hire for a church gig. Once we set up, we’ll find out, if who has a voice.”

"And if no one does?" The drummer was a drug addict and the bass had been recruited from a missing link clan. Charles would have never spoken to either before meeting Johnny and once more questioned the wisdom of this venture.

"This is a city of seven million people.” Johnny yanked at the elevator door and stepped into a darkened space like he had a cat’s night vision. “One of them has the right voice for GTH, but we don’t ahve to worry about that right now. Let's unload the elevator."

Johnny flipped on a light. The old loft was huge. The broad wooden floor planks bore the scars of heavy machinery and the tin walls were yellowed by age. The windows offered a spectacular view of Lower Manhattan, although the Manhattan Bridge was partially blocked by a billboard on the next building.

Charles swept a finger over the dust on a table. No one had worked here for years.

"Hey, I can see my breath," Frankie complained and Johnny shot the drummer an angry glance. He could without any negativity from his protégé. "Tomorrow we can score space heaters and clean the place. Anyway GTH isn't about interior design. It’s about music. Let's hear how we sound."

Sean struggled with his outlets and Charles rested on a radiator, as Johnny and Bobby assembled the organ. Mercifully Frankie assembled his drums without a hitch and tapped an intricate set of riffs on a battered set of bongos. The patter filled the empty space with the hint of the music to come. If nothing, it was fast and loud. When all the leads were in their sockets, Johnny handed them lyric sheets.

"This first song is three chords. Sean learned them in one day. Charles, you follow his bass. The beat's fast. 4/4 and the words are Sean's. He gets first shot at the mike."

“You mean ‘sing’?” He rarely sang in the shower.

"Singing’s the only way a bass player becomes a rock star." The guitarist spread his legs in a classic rock and roll pose.

Sean switched on his bass. A buzz emanated from the amp. His fingers were frozen on the strings and he stepped to the mike, longing for a miracle. Girls loved singers. His name would headline Rolling Stone. Electricity crackled through his body.

"On the count of three. One-two-three."

Johnny strummed the intro and Sean plucked the four bars. He hit the lead verse, fantasizing himself in front of a thousand screaming fans. "I want love-no-love and that's all I need. Tonight___ "

Johnny stopped abruptly and Sean opened his eyes. "Anything wrong?"

"One, you were singing the chorus, and secondly you have to play with us." Johnny tried to go easy on Sean.

”What do you mean?”

Frankie had been taught the conga drums by his uncle, a Tito Puente fanatic, and rattled off a relentless 4/4 beat.

"You ever heard of time, man, cause you were speeding and slowing down, instead of matching my beat."

"Sean will improve on the bass with practice." Johnny waved him from the mike."Unfortunately you won’t be a rock god in this lifetime."

"My singing sucks?" His mother had sung the lead in NO NO NANETTE. He had to retain a fraction of her talent.

"Like Frank Sinatra with a cold." Johnny could lie, cheat, and steal, but not about music.

"And that's bad?" CBGBs had STRANGERS IN THE NIGHT on the jukebox.

"Even for a punk band, yeah."

"Oh." Sean mentally erased his face from eyes of the screaming fans.

"So we have to find a new singer?" Johnny looked Charles. The millionaire halted his Gothic fugue on the organ. "None of my friends are musicians____"

"Dove?" Frankie enjoyed drug binges with the drag queen. Johnny cut him short with an irritability arising from his drought of dope. "One Wayne County is all this scene can handle."

"I have a singer." Sean raised his hand.

“Who you know?” The ex-hippie hadn’t left Johnny other than for sleep in room 301. < p>"This girl I met on the highway. A runaway. Brown hair, mini-dress with one shoe.”

“One shoe?”

“Cinderella, if you’re partial to fairy tales, only her voice is a mix of Tina Turner’s gravel and Dusty Springfield’s velvet."

The combination was intrigued Johnny.

"How old is she?"

"18." Sean thought at most Tammi was 16, but she had a valid ID for 18, if she got a dancing gig at that strip club.

“Where is she?”

"I left her in Times Square yesterday.”

“Times Square?”

“She's at a go-go lounge."

"Runaways last a pimp’s minute there?” Johnny lowered his guitar, as Charles Ames III fingered the first chords to LOVE-NO-LOVE.

"Bobby can bring him to Times Square and we can keep practicing."

"Mr. Ames, I'm supposed to take care of you.” The driver warily regarded the three other members of GTH.

Charles hobbled over to slip him a fifty-dollar bill, "Please do as I ask."

"I'll watch him," Johnny offered and the driver returned the $50, pulling Johnny to the elevator. "You might have ‘Chuckie’ fooled, but you mess with him and I'll throw you off the roof. You got me?"

"Sure, like the flu." Johnny had no immediate plans to harm Charles and told Sean, “Guess it's a go, but the girl doesn't work out, you give her the fifty cents for the A Train back to Times Square."

"That's fair." Sean zippered his leather and Johnny strummed the chords from Del Shannon's RUNAWAY with a laid-back expertise. Smiling at the musical reference Sean said, "I'll meet you CBGBs .”

Johnny handed him the bass.

"If you’re trying to talk a young girl into joining a band, it doesn’t hurt to act the part.”

"So I look like a rock star, right." Sean slung the instrument over his shoulder and the driver wrinkled his nose. "I'll take the stairs."

“I second the motion.”

The door slammed shut and the amps’ humming drowned the wind whistling through the windows. Johnny had slept a hundred worse places as had Frankie and he placed his fingers on the guitar strings.

"So we ready for rock and roll?"

”Never more.” Frankie was daydreaming about limousines and huge mountains of drugs.

”I’ll give it my best.” Charles was a little more relaxed without the other two men’s presence. That confidence might hurt him in the future, but for tonight he was safe and the trio repeated LOVE-NO-LOVE.

They could have performed tomorrow night at a strip club in New Jersey, however Johnny was aiming higher for GTH and he hoped that pure dumb luck would catapult them to this peak in a city too tough to respect any other advantages. It wasn’t too much to ask on the day after Thanksgiving.

MAYBE TOMORROW - A novel by Peter Nolan Smith Chapter 14

The weekend blizzard off the Great Lakes dropped twelve inches of powder on Manhattan. The snow turned into slush within a day and that evening Sean dressed in a midnight-blue pinstriped suit specially purchased on Orchard Street. The $310 deposited under the name of Jimmie O'Brian had cleared for withdrawal from an ATM. There was no mirror in room # 301 of the Terminal Hotel to confirm whether he could pass for a businessman and he asked Tammi, “How I look?”

“Like you’re out to rob the rich.” The teenager straightened his tie. She was increasingly nervous about this outing with Johnny. Bank robbery was a major deviation from stealing cars and she surreptitiously searched for a weapon with a caressing hand. There was none.

“I feel nothing like Robin Hood.” Sean was equally anxious about this venture and had given her the rest of his money in case he required bail. They might not be in love, but trust was fine starting point for two people, who knew each other less than a week.

“You will, if you give to the poor.” Tammi brushed back a red strand from her face.

“Namely you?” Sean had adopted Johnny’s lucky charm of giving alms to the bums.

“I’m not poor.” She had socked away $500 from her first week at the Dollhouse. Josie had advised her to bank every greasy dollar for an emergency get-away fund. Not that she was planning to leave New York any time soon.

None of the band members or the regulars at CBGBs cared about her past or age and the word slut was almost a badge of honor among some of the girls keeping a list of the band members with whom they had had sex. Her fellow dancers showed their appreciation at how she had increased all their incomes at Dollhouse. Of course the Terminal Hotel was a pit, the weather was freezing, the city was a mess, and Sean was robbing banks, but these problems were outweighed by the pluses and she hugged Sean with teddy bear tenderness. “I do accept presents.”

“Any suggestions?” He lifted an old leather coat from the bed. He had bought it yesterday on St. Mark’s Place.

“Something a little more personal than a book.” Tammi helped him into the sleeves.

“You don’t like books?” He had been buying them to further her education and the usual Lit 101 classics lay on the bed table bracketed by poetry from Rimbaud, Pound, and Plath with Kozinski’s BIRDS, Anais Nin’s DIARY, THE STORY OF O, Burrough’s JUNKIE, and Maxie Laing’s RUNNING closer to the wall.

“They’re not very romantic.” She had devoured the poetry, but the novels lay unread, because her new life was more exciting than anything written in a book.

“I thought you weren’t into a boyfriend-girlfriend relationship.” Sean held her in his arm, for her presence had given him amnesia about Cheri’s leaving New York.

“That doesn’t mean I can’t pretend once in a while.” She kissed him on the cheek and hastily dressed in an over-the-knee plaid pleated skirt, a white shirt, and knee-high sox to meet Josie at the Orchida on 2nd Avenue for pizza. A leather jacket completed the fantasy of a truant Catholic schoolgirl and she suggested with a smile, “Flowers are acceptable.”

“I’ll bring you dead roses.” Sean wrestled her toward the bed.

A knock on the door broke the clinch. It was Johnny and Sean held up the ATM card, "I haven’t told Johnny that you know about this, so say nothing.”

“I’ll be dumber than a bucket of mud." Tammi opened the door.

Johnny was wearing a leather jacket and black jeans.

“You own any other clothes?”

“This is my look.” Johnny had heard that Halston wore the same jackets and shirts, although the designer had a closet filled with the same clothing, while Johnny had the one. “In the movies actors wear one suit for continuity.”

“That’s the movies.”

“And this is much more. People might not remember me in other clothing.”

“No one is in danger of anyone forgetting you.” Tammi handed Sean his bass and he kissed Tammi good-bye. “I’ll see you at the rehearsal.”

In the hallway the guitarist surveyed Sean with an admiring nod. "If you were a few inches taller, you’d be a GQ model."

"I thought it was better to look like a regular citizen."

"Then you nearly succeeded." The guitarist winked at Sean.

“This is strictly business.”

"You straight boys always think about sex, because you don't fuck enough.”

“I fuck plenty.” Tammi saw to that, although in his love life in Boston had been almost virginal.

“Every man has a little gay in him.” The ex-hippie could act straight all he wanted, but Johnny saw the signs. “It’s how God created the beasts, otherwise jocks wouldn’t sing Queen’s WE ARE THE CHAMPIONS at sporting events and grown men wouldn’t cry during westerns.”

“I don’t cry.” Sean lied, for he wept whenever Shane rode off into the sunset.

“Everyone cries, but no one likes to talk about it. Enough bullshit. We have work to do.” Johnny ran down the stairs to the lobby. Ernie told them both that they needed to pay for their rooms. Neither of them bothered to make a reply to the garrulous desk clerk.

Out on Jane Street the snow on the sidewalks glowed an unhealthy chrome color under sodium crime lights and Johnny tightened the scarf around his neck. A wire brush cough grated through his lungs and he chattered, “This is way too cold for November.”

“Maybe the Russians are experimenting with the weather.” Sean had read about the conflicting economic systems were spending billions to gain an advantage in the global struggle for the hearts and minds of the oppressed.

“More our own government trying to boost consumption for the oil companies.” Johnny expounded on his own theory of the global winter.

“Both systems are shit.” Sean had no bets on either side winning the Cold War, despite the 1975 collapse of Viet-Nam, Laos, and Cambodia, however there was no drag racing, strip clubs, or roller coasters in the USSR and they were in the USA. “We have to live with what we got.”

”Except when we take what we want. You have the ATM card?”

”In my pocket.”

”Then let’s make money.”

A Checker cab rattled down Jane Street and Johnny waved $20. The taxi stopped at the corner. Sean hesitated getting inside.

“Can’t we walk to the first bank.”

“Only losers walk.” The slush was seeping into Johnny’s boots he pulled the ex-hippie inside the Checker, telling the driver, "This will be a short ride, but we’re stopping at a couple of banks."

"And?" The veteran driver only cared about receiving the metered fare and a reasonable tip.

"This now and another twenty, if we hit four in less than forty-five minutes." Johnny passed $20 through the window.

"Where's the first bank?" The driver pocketed the money. $40 was a good start to his shift.

"Sheridan Square." Johnny slammed the door shut.

Five minutes later the taxi reached the tobacco shop on 7th Avenue. and Sean got out of the yellow cab and walked across Christopher Street to the bank’s cash machine. He slid the plastic card slid and entered the requested PIN number. As the machine whirred underneath the steel cover, he surveyed the early evening crowd of gays cruising the foot traffic headed for the riverside bars. Any of the mustached men in jeans might be undercover cops and he readied to run, except when the slot issued $300 in crisp $20 bills, no one grabbed him.

Back in the taxi Sean victoriously brandished the money and Johnny modestly shrugged to acknowledge his expertise at scams.

”Easy, huh?”

”So far so good.” He was still down $10.

“Where next?” the driver asked without looking at them.

“Fifth and 8th.” Johnny had planned the shortest route between the branches of the same bank. If they were quick, they might hit five ATMs before the bank’s computer registered the overdrafts.

At each stop the ATMs issued $300 from the ATMs. No alarms. No bells. No guards with guns and after the five bank in Chinatown, Johnny dismissed the taxi with the promised $20.

“It worked.” Sean thanked the stars above. Only a few were bright enough to break through the light cloud of Manhattan.

“You had your doubts?” Johnny hadn’t been sure either.

“You risked nothing.” Sean patted his coat pocket for the money. $1200 in twenties formed a small stack and he returned Jimmie O’Brian to the grave by tearing the fake license in pieces and stuffing the ATM card into an empty trashcan.

”That’s true, but I’ll do the next one.” The IDs of five more dead men were waiting their reincarnations at the Terminal Hotel. “We don’t have to meet the rest of the band for another hour. Let’s get something to eat. Robbing banks makes me hungry.”

Aglow with success they walked to Wo-Hop, a basement restaurant on Mulberry Street. The waiters were slurping noodles at a round table. Sean and Johnny sat in the corner. A short waiter pushed away his bowl and came over to took the lo wai’s orders, after which Sean divided the money under his coat.

”I’m putting away $600 for our stake, plus taking back my original $300, leaving us $150 each for the night’s take.” He passed a thin wad of cash to the guitarist. “You have a problem with that math?"

”No, it’s not that.” A wave of nausea growled from his stomach and a fever flushed his face. It passed quickly and he stashed the money inside his jacket, telling Sean, “It’s better than a poke in the eye with a sharp stick.”

"Tomorrow I'll go over to Brooklyn for another driver's license."

"Why Brooklyn?" Johnny figured that he was little dope sick and pushed away his soup.

“Even the most apathetic office clerk, and they can’t get much worst than Center Street, will catch onto issuing one person multiple licenses.” Sean had waited in three lines over five hours to process the five licenses. The clerks treated the applicants with a range of attention varying from benign neglect to utter hostility. "I haven’t spend more than a day in jail and intend to keep it that way."

”I like the ‘be prepared for anything’ attitude.”The ex-hippie was smarter than he looked.

"This isn't anything like the Boy Scouts. The city and New Jersey have ten DMVs. Between us we can pull this off twenty times. Twenty times nine-hundred adds up to $18,000. Divided by two means nine thou each."

"That much?" Johnny had not calculated the numbers.

"Do the math.” Sean had started his freshman year in college as a math major. He had always been good at math, although by his sophomore year he had failed Multivariable Calculus thanks to too many hours driving cab to pay for school.

“You know we could take this on the road.” Not ripping off Sean had reaped the unexpected bonus with finding Tammi for GTH and their flawless completion of the ATM run. "They have anything interesting in Beantown?"

"The Gardner Museum, Copps Hill cemetery, and the Peabody Museum during the day and at night the 1270 Club, The High Hat Lounge, and Hillbilly Ranch.” Boston’s streets were small, the avenues narrow, and the nights short, while Manhattan boiled with a raucous wildness promising more than madness. “The ATMs will make the trip worth our while, if they’re close enough together.”

“Phillie might work too, if the banks are close enough, otherwise it's a waste of time.” Johnny watched Sean scrawled words on a napkin.

While the ATM scam was a good score, GTH was their path to the future, however the Bostonian’s failure to synchronize with the music was seriously jeopardizing his position in the band. Tammi grimaced at his continual flubs and the other two members had been plotting his replacement behind his back. Johnny had convinced Charles and Frankie to give him a chance, but the clock was ticking.

Sean handed the paper to Johnny and slurped at the soup. He read the twelve lines quickly. They proved that his supporting the ex-hippie wasn’t a mistake. "I can write music for it."

“I’ve been worrying a lot about my playing.” Sean signaled the waiter for the bill. “I’m willing to practice more to stay in the band.”

“It will be a lot of work?” Johnny was surprised by his having read Sean’s mind. Maybe the old gypsy lady hadn’t been joking about his having the gift.

“I was on a football team in high school. We were state champions. I hated the practice, the coach’s shouting, but loved being part of a greater cause than myself.” In his junior year he had viciously yanked the facemask of an opposing fullback. The foul had saved a touchdown and the game. The league had complained about his unsportsmanship and demanded his dismissal from the team. The lack of support from the coaches and team had been a bitter blow. “I get the same feeling from GTH.”

“I’ll help you.” Johnny clapped Sean on the shoulder and wondered if John Lennon had experienced a similar problem with Ringo’s drumming. This conjecture was irrelevant, because the Fab Four were ancient history and not one of their songs was on CBGB’s jukebox. “You’ll have to help yourself too.”

“I will.” Sean threw $10 on the table and told the waiter to keep the change for a tip. He bowed wishing them ‘Melly Chlistmas’ and they walked toward the rehearsal space in Chinatown.

Snowflakes were swirling on a Canadian wind. The cold weather was driving the people from the streets. Reaching Chrystie Street. Johnny said, "Look around us.”

Sean did a 360. The park across the street was empty. The lights on the Empire State Building glowed red and green for the holidays and a subway train rumbled over the Manhattan Bridge. His breath hung in the air. “What am I supposed to be seeing?”

"This city has over seven million people and on this street there’s only you and me. Why? The people are too scared to come out after dark. And why are we here? Because we’re alienated from them, TV dinners, nine-to-five jobs, the suburbs, commuting, the Democrats and Republicans. We want revolution, change, and anarchy, but one day the police will retake the streets and no one will remember the beauty of this moment." Johnny picked an empty beer bottle from the trash and threw it against the side of a building. Its shards fell noiselessly into the snow. "C'mon, it's a long weekend for thieves. You spent an hour robbing banks. You're one of us, aren't you?"

“For life.” Sean heaved a beer bottle over a four-story tenement. It smashed unseen atop the roof and the two men laughed with the giddiness of the truth. This was their city and more importantly their time. Putting his arm over Sean's shoulder, the blonde guitarist shouted, "Now let's rock n' roll."

From anyone else the request might have sounded corny, however Sean yelled, "Gabba-Gabba-Gabba-Hey." and they sang the Ramones’ song all the way to the loft building.

"Elevator or stairs?" Sean smelled the dead chickens.

"Stairs." Johnny unlocked the door. “Ready, steady, go.”

They climbed the stairs two at a time and burst into the penthouse gasping for breath, where Frankie greeted them by saying, "That smell could make a train take a dirt road."

"It like every chicken in the world is getting killed downstairs." Johnny plugged the Les Paul guitar into his amp and Sean winked at Tammi. Her blouse was unbuttoned to reveal her bralessnss. He disregarded Charles staring at her in a less than brotherly fashion, especially after she kissed him in front of the band.

“You forgot the roses.” Tammi had been dreading a phone call from jail.

“I’ll buy them later.” No one outside of his family had cared about him for ages.

"Anyone happy I’m back?" Johnny joined Frankie and Charles at the battery of space heaters blowing hot air into the drafty penthouse. His question hadn’t been directed to anyone in particular and Bobby Vacca said, "Sorry, queer boy, no one missed you.”

None of the other band members reacted to the slight, but Johnny had endured endless incidents of gay-bashing along with society’s implicit approval of this prejudice, despite millions of America’s sons, daughters, husbands, wives, mothers, and fathers being sword-swallowers, muff-divers, dykes, and fags, but he bit his tongue, vowing to avenge the Italian’s homophobia later. "You all ready?"

Charles Ames III limped over the organ, Frankie sat behind the drum kit, and Sean plugged in his bass. Johnny noted the redhead’s hesitancy before the microphone and motioned with his hand. "Tammi, can I speak with you a second?"

"Sure.” She joined Johnny by his amp and peeked out the corner of her eyes at the rest of the band, gulping with apprehension, “I’m sorry.”

“For what?”

“I don’t know.” Back in Kittery she had always been doing something wrong.

"Well, then I’ll tell you.”

Tammi shut her eyes, expecting to be told she was out of the band.

“You’ve been singing with us five days and I haven’t once heard the voice from the hotel room.” She had been accepted by the band for various reasons; Sean slept with her, Frankie borrowed money from her, and Charles had a crush on the teenager. CBGB’s audience was less forgiving. “My first night hustling in Times Square I thought that all the pervs were trying to kill me. Within a week I was everyone’s darling. How you feel hitting the stage at the Dollhouse?”

“I thought they were selling me into white slavery.” She had been a runaway with one shoe to her name.

“One shake of that teenage ass and you had the crowd licking your toes. Same goes for your singing. The audience wants to hear your soul. Not see your ass, your face, or know your background and you deserves a bigger stage than the Dollhouse.”

“Really?” Tammi felt that they were brother and sister separated at birth.

“Strippers are a dime a dozen. More like $25 for ten minutes, but a singer can send people’s souls to heaven or sentence them to the Hades.” Johnny ripped a fiery lick. “All you got to do is let go of who you were and be who you will be. You ready?

“Heaven and hell with no in-betweens.” Tammi clasped the mike. She had never been who people thought she was. Now she had a chance to prove them wrong.

"Let’s do MAYBE TOMORROW." Johnny announced and the others groaned as would a film crew being told they have to reshoot a difficult scene for the hundredth time. “C’mon, it's a great song.”

“If we ever get it right,” Frankie sulked and the entire band eyed Sean.

"I'll work on it."

"If you lived to a million, you___" Frankie recognized Tammi’s potential but also that the bass was hopeless.

Johnny lifted his hand to stop Frankie from finishing his sentence.

"Sean has been playing bass less than a week. He will be fine and we’re sticking with him.”

Charles and Frankie silently acceded to Johnny’s wish and he visually pleaded with Sean before saying, "On the count of three."

Frankie lifted his drumsticks, Charles poised over the keyboard, Sean plotted his fingertips over the bass, and Johnny counted, "One-two-three."

After the opening bar Tammi exploded with the words, "I dreamed about something I didn't get until today."

The band started together, but lost Sean by the first chorus.

Johnny lowered his hands in frustration and the band stopped playing.

"We have to talk." Johnny pulled Sean aside.

“I'm sorry.” The ex-hippie guiltily lowered his head.

"Sean, you're letting down other people."

"What can I do." His setback deflated the exhilaration of the ATM thefts.

“Just do your best.” Johnny wasn’t letting Sean give up.

”That’s what I’m trying to do.” The rest of the band regarded the bass player, as if he had killed the kindergarten hamster.

"Then you can only get better and I’ll help you get there.”

Unfortunately Sean's best was far from passable.

He missed transitions from the bridge to hook, blew breaks, and generally his fingers flubbed over the bass, as if hands well all thumbs. Luckily Charles Ames III was picking up the spirit of punk and Frankie’s drumming reinforced the bottom for the lead guitar, but it was Tammi who made them shine.

Each year thousands of actresses, singers, and artist sacrificed their souls to the altar of fame. Most failed their quest, however Tammi’s voice was reserved for the gods and GTH was willing to worship at her feet, if she brought them to the stars, and her voice cast its magic spell for two hours before Johnny announced, "That's it for tonight. Anything else is counter-productive. Meet here tomorrow at sunset.”

“I have to work tomorrow night.” Tammi watusied side to side.

“Anyone have a problems with an afternoon session?”

The entire band shook their head. She was the star and Johnny said, “Afternoon it is. Three PM.”

Charles fingered a free-style version of LOVE-NO-LOVE and she said, “We need to work more on that song.”

"I agree." The teenager’s vitality reverberated through the crippled millionaire to opiate the pain in his body. On the other hand Sean wished a snowstorm would cancel tomorrow's practice, only the night sky was dotted with stars.

“I’m done.”

"We can practice without a bass," Tammi stated without regretting her frankness.

“Or play a gig.” Frankie thumped a beat on his bass drum.

"What's that supposed to mean?" Sean hadn’t expected her defection.

Johnny had to support him or else GTH was minus a bass player.

"Listen, we're not the Grateful Dead free-styling a song for hours. And GTH’s not ELO or YES either, so we don’t have to be little Mozarts on our instruments."

"But___" Frankie started and Johnny cut him short. "Punk’s about raw power stabbing the heart with a stiletto, striking the skull with a hammer."

"We still have to sound____" Tammi halted mid-sentence, for the elevator noisily began its ascent.

“Anyone expecting guests?” Johnny turned to the elevator doors.

No one answered and he went to the window to gaze on the empty street.

"There’s no police car."

The mention of 'police' reminded Sean that he had robbed five banks and Tammi was a runaway. No one could prove the first and he grabbed a mike stand to prevent any authorities from taking her away. Possessing a packet of dope Frankie moved toward the stairway. Having never committed a crime his father couldn’t fix, Charles was puzzled by their reactions. “Why should the police come?”

“Perhaps one of the chickens filed a noise complaint,” Johnny answered, as the elevator shuddered to a halt and the doors parted for a bearded man in the black sweater. “No, much worse.”

"Why no ‘hellos’?” Nick Arcc approached Johnny with a snide smile.

"No one invited you, that’s why, Nick.” GTH wasn’t ready for anyone’s eyes or ears.

“Johnny, Johnny, Johnny, I’m not real record company. I do drugs. I live in the Lower East Side." The A&R man had broken his teeth on tricking with on-leave sailors and he wasn’t intimidated by the glares from the two straight men in the loft. "Frankie I’ve met. Who are the rest of the band?"

"Sean, Charles, Tammi, meet the lowest, most thieving, manipulative, backstabbing A&R man in America." Johnny protectively clasped his guitar to his chest. “None other than Nick Arcc."

"I'm glad you feel free to speak your mind. Kids, my job is to find talent. Search the bars, clubs, garages, basements of this city and the entire East Coast for bands with the talent to rise to the next stage. It’s a dirty job and I like the filth." The loft was freezing outside the circle of space heaters, yet the record producer was sweated, as if it was the middle of June.

"He skipped 'missing link'." Tammi pointed to the luxuriant hair sprouting from the neck of his sweater.

"I love punk girls with spunk, the Latin drums, the classical organ, and the stuttering bass. And Johnny, that guitar? Could the Rock Gods have blessed you with a little Jimi?” The producer licked his lips at the bass player. He was rough and probably savage in bed, only he wasn’t here for fun and games. Scherrying Johnny into a corner, he whispered, "Don’t bullshit a bullshitter. Frankie’s a junkie, the organist’s a cripple, the bass sucks, the roadie's a Mafia wannabe, and the lead singer is so underage it's only a question of time before the police arrest her as a runaway."

"Is that a threat?" GTH was six days old and Johnny was as protective as a newly born’s father.

The A&R man stared him in the eyes. He had seen Clive Davis pull the same trick on Carly Simon during a contract dispute and she had signed for a fraction of her potential.

“Ames is a old family with lots of money. Rich families have problems and your friend is one of them. You know he jumped off a roof? The look on your face says no.” The A&R man lowered his voice to a lizard lisp. "Of course, you could care less, if he threw himself off the Empire State building, cause you're getting this band together to rip him off.”

“GTH is a band, not a scam. We’re into this for the music.”

“Music?” Nick laughed. “More noise than music.”

“It’s typical of record industry scum like you to treat punk like it’s shit.”

“Not punk. You.”

“Fuck you.”

“Love to.”

“On a cold day in hell.”

“Plenty of those in New York this time of year, but I can help lend your scam a little authenticity."

"Get the fuck out of here."

"You punks are a joke. You think all it takes to conquer the world is three chords, but no show at Max’s and CBs reaches more than a few hundred people. To touch the masses you have to manipulate the media. Records, Radio, TV, critics saying you’re great. The public will respond to the machine and you’ll sell records. Make money. Ride in jets. Drive fast cars.” Nick Arcc raised his voice for the rest of the band to overhear his spiel. “And to hit the big time. To record a best-selling album I’m your man. A piece of shit willing to sell his soul to get the best deal from the Devil.”

“Not now.”

“Why are you scared of success.”

Sean read the mounting tension between the two as easily as a Casper the Ghost comic book and interrupted the hairy intruder.

"It's time to go, Apeman."

“Do you have any idea who you're talking to?”

“I don't give a rat's ass who you are and you shouldn't either.”

The A&R man hadn’t survived an Iggy tour, trashed a hotel room with The Who, or shot drugs with the Dolls by allowing nobodies to threaten him. “One phone call and GTH is ruined."

“Ruined?” The words of the Stones’ WEST COAST UNDER-ASSISTANT PROMO MAN belittled the bearded man’s power.

“Yes, over before you even started.”

The threat triggered the madness in Sean and his left hand grabbed the A&R man’s fleshy neck. His face showed that it hurt and he begged, “Let me go.”

Sean dragged the squirming promo man over to the empty elevator shaft.

“I know people. Important people. They won’t let you get away with this.”

“Forget them. At this instant I'm the most important person in your world."

Nick’s eyes gaped at the black hole.

“I’ll do anything.”

It was too late for anything, because Sean’s blood had boiled the reason from his brain. He was angry at Cheri’s leaving him, his near-dismissal by GTH, and his lack of skill on bass. If he released his grip, the fat man would plummet to the top of the elevator roof. His world would change and not for the better. He had lived through his mistakes before and his fingers loosened their hold on the fat man flapping his arms in a useless attempt to fly.

"Stop, Sean,” Tammi begged from behind him. “Forget the past. You have this band. You have another night with me.”

The blood roaring in his ears almost blocked her word, yet a future with Tammi was more appealing than several years in prison and Sean hauled the fat man into the loft.

“You crazy____.”

The driver grabbed the intruder’s shoulder.

"Mister, it's time to go."

"Okay, okay, I'm leaving." Nick Arcc cringed with pain, as Bobby shoved the record producer into the stairwell and locked the door. Having his own collection of regrettable deeds, he asked Sean, "Are you all right?"

"I lost it.” He walked away from the band, castigating himself for his temper.

"Were you going to drop him?" Tammi had never seen anyone as close to murder as Sean had been several seconds ago. He was no hippie. NOt before and not now.

"I might have.” He was ashamed by the truth.

”You can be like that with people.” Tammi whispered in his ear.

“I know.” He buried his head in her neck. “It will be better,” she told Sean, but he was dangerous and one day maybe to her, but she hid herself in his arms, because they were more similar than was beneficial for either of them. "That was the perfect ending to a rehearsal," Johnny remarked and the band regarded him with puzzlement. "Nick’s a big mouth. He'll blab at CBs or Max's about Sean’s nearly killing him."

"Shit." Sean pictured the police after him with their clubs and heavy shoes.

“Punk’s about rebellion and misbehavior acts as its Molotov cocktail. He loved it and so will everyone else.” Johnny pointed at Sean and sang, “Wild child, he's a real wild child."

"This is a man’s world." Tammi surprised the band by singing the line from James Brown's hit. “But it wouldn’t be nothing without a woman or a girl. You know I never hear any women’s names other than Patti Smith, Nico, and Debby Harry. We’re not just groupies.”

Tammi was surrounded by five men. The musicians art CBGBs and Max’s expected rock god treatment from girls. She wasn’t letting GTH treat women as second-class humans.

"There aren’t many girl groups on the scene.” Johnny could only think of three, then added, "Tammi does have a point and there are no gay bands either."

"Liberace," Sean suggested to lighten the mood.

"He's as 'out' as Gomer Pyle." No straights ever mentioned Rock Hudson.

"I'm not looking to start a revolution, but you have to recognize that I'm a woman as much as I am a girl," Tammi declared boldly and Frankie tapped the high-hat. "And don’t forget Libre Puerto Rico and Willy Deville."

"I'm glad we have that political crisis settled," Johnny concluded before Sean asserted his love of Irish penny whistle bands or Charles proclaimed the formation of the Rich People’s Freedom League. "Anyone for having a drink at CBGBs?"

The rehearsal and Sean’s outburst had tapped their energy and CBGBs offered more fun than heading home any night of the week. They shut off the equipment, locked the loft, and arrived halfway through Suicide’s FRANKIE TEARDROP.

The pasty lead singer smacked his face with the microphone. His sunglassed organist’s motionlessness vividly counterpointed this partner’s frenetic self-destruction. A Ramone greeted Johnny and asked about Sean’s nearly killing Nick Arcc.

“Nick was flapping his arms like a chicken.” The listeners at the bar laughed at Johnny’s imitation of the A&R man’s waving his arms.

Sean was uncomfortable with the guitarist’s reenactment of this incident and gave Tammi $20 to order him a beer. He went to the pinball machine, which he kicked once. Quarters sloshed from the coin return and the ex-hippie jostled the machine with a maniacal sense of timing.

“He certainly is hard on that machine.” Charles was by her side. “When he was holding that guy in the elevator, I remembered my fall.”

“The one that broke your back?”

“Yes.” Charles didn’t like talking about that day.

“From how high?”

“Three stories.” At the time it hadn’t seemed so high.

“An accident?” Nobody jumped from that height for fun.

“I had gone of a school building after a football game. I can still see my friends laughing below me. Only my sister was scared. I was dancingand my foot caught a shingle. I slipped off the roof and hit the ground with a loud crack. For a second I thought I had been shot. When my arms and legs floated away, I understood my injury was much more serious.”

“A broken back?” No one their age considered themselves mortal, which rationalized young people’s dedication to death-defying feats without explaining the repetition of reckless behavior.

“Two places. A specialist at NYU Hospital predicted my death. I proved him wrong. Other doctors said I was permanently paralyzed. They were wrong. I walked again. Not great, but I can walk.”

Tammi held his hand and Charles almost flinched. No one had touched him with such tenderness. Not for a long time.

“You know I have a twin sister.”

“Caroline, right?” He had mentioned her name once.

“Yes. When I was my coma, I was floating in a gray sludge. This rope dangled in front of me and always danced out of reach. One day I grabbed it and emerged from the coma. My sister was sitting next to the hospital bed. I couldn’t speak and squeezed her hand. That connection brought me back to this life. To now, although for the first day I thought maybe I had died and this was the after-life.”

“What changed your mind?”

“This life was too much like the last. The same faces, same people, same TV, same food.” Charles lifted his cane. “And I would have been able to walk in the after-life.”

“You’re walking now.” Her father had claimed that he had died each time he ODed. She had seen him die on several occasions only to come back to life with a start only to have him grow cold that last time.

“It’s not easy.”

“Maybe you were lucky.”

“Surviving that fall had nothing to do with luck.”

“99% of this planet’s inhabitants would have never received the extra treatment, Charles. You were lucky to be born rich.”

“Is there something wrong with that?” She was right. Money had saved him. Money to have doctors, nurses, specialists, hospitals, and therapists.

“No, you didn’t have any choice of who you are, only of what you become. Your accident gave you that freedom same as my leaving home.” Tammi’s rebellion in Kittery had ended with exile, because she had no support. In New York she had her enemies, but with GTH’s backing and Sean’s love she was not alone. “To all those people back there I was only one thing. Here I’m anything I want.”

“Tammi, these people are drug addicts, drop-outs, runaways, misfits, and worst.”

“Yes, they are one-percenters on the borders of the wasteland.” Tammi released Charles’ hand to pay for Sean’s drink. “Which is why we’re destined to be stars. There are lots more of us out there in America and around the world. Millions more, but we can’t pull it off without you, so you have to lose that superiority complex.”

“Superiority complex?”

“Yeah, no one here cares if you’re rich. Yes, they do, but only because they want something for free.”

“And you?”

“I’m happy with what I can get, so try and at least fake you’re one of us.”

“Why should I?” No one other than his father had ordered around Charles and he stared into Tammi’s eyes, expecting that she could read his mind like Johnny. She showed no signs of clairvoyance, as she said, “And you’d be more handsome.”

“Handsome?” No one had called Charles Ames III that in years.

“Charles, I don’t lie. Not about anything. And why? I don’t have too. You have money. More money than God, except money isn’t the solution to your problems.”

“What is?”

“You and only you.” She noticed a trio of girls in plastic dresses gushing over Sean’s skill on the pinball machine. “Charles, you’ll have to excuse me.”

“You coming back?” Charles Ames III’s heart beat hard. Tammi had found his light. One day soon it could be a flame. “I’ll order you another drink.”

“No, but thanks for the offer.” Tammi kissed him on the cheek and strode over her competition. Sensing her unbridled possessiveness, they stepped back and she tugged Sean away from the machine. "We're going."

“I haven’t finished any of my beer.” Sean reached for the beer.

“We can take it to go.” Tammi stuck the cold bottle under her coat and led Sean from the bar. A taxi was waiting by the curb and they sat in the rear. She told the driver their destination and slid to the far side.

"Are you pissed at me?"

"I saw you with those girls." Tammi’s eyes flashed with green.

"You're jealous."

"Am not." Tammi had never cared that the boys in Kittery had girlfriends.

"I wasn’t going to leave you tonight." Sean held her closer.

“You’re a big boy, you can go wherever your heart desires.” She turned her head, but he continued caressing her hair. “Tammi, I did consider leaving with them.”

“You did.” All men were the same.

“And what stopped me was wanting you than anyone else.”

Tammi blinked with disbelief. No one had ever wanted her like that.

“We have something.”

“Is there a word for it?”

“It’s stronger than friendship.” Anytime he had been in love, it had ended badly and wasn’t rushing with Tammi. “Does that work for you?”

“Tonight it will have to be.”

Without Sean and GTH she was a teenager stripper and Times Square destroyed them by the hundreds. No one asked any questions after they were gone, but Tammi was different. She had Sean.

In the hotel’s room 301 they wordlessly kissed for several minutes without his hands rushing underneath her clothes and she asked, “Are you waiting for the right mood?”

“No, I just want you to want me more than I want you.” An orgasm lasted a few seconds, while the memory of a caress could survive old age.

“Then I win that contest.” She wanted to prove to him that women are capable of desiring a man for pure physical pleasure. He deserved it and Tammi spread her legs. She pulled off her skirt and unbuttoned his jeans. The two had sex lacking any tenderness and after they shuddered together in a silent orgasm, Tammi locked her ankles behind his knees. “Don’t pull out just yet.”

“Why?”

“I didn’t mind the fucking, but I want more than just sex. Do you have a problem with that?”

“No, but I once saw this German movie called KINGS OF THE ROAD.” Sean circled his palm on her back, breathing in the mingling fragrance of their skins. “The two actors sit in this border bunker and one says that his greatest loneliness was being inside a woman after he’s made love.”

“And you?” Sean’s hands were ships of fluff sailing over her flesh.

“Like I belonged on another planet.” Sean’s penis was shrinking to verify his statement.

“You always feel that way with a woman?”

“I wish I could say, “Never before.”

“And you can’t.”

“I can get away with “Not often.” The time before seemed in a previous lifetime.

“I’ve never belonged anywhere and with anyone.” Tammi was scared to tally her failures to achieve intimacy through sex and held him tight. “I wasn’t so fortunate with my parents. My mother disappeared as soon as she dropped me and my father’s addiction killed him. My stepmother stuck by me, but I had a hard time getting along with anyone and no one got along with me. I became obsessed with the idea of the circus or carnival kidnapping me. I’d leave the windows open for a roustabout to carry me off.”

“And they never came?”

“I always woke in my own bed."

Sean listened to her heartbeat running fast in a panic from telling him about herself. He had been reconstructing her life in snips. It wasn’t a pretty picture.

“You escaped.”

"Thanks to you.” Tammi studied the city lights fluttering against the mural of Sean.

For a minute their breathing filled the silence and they fell apart from one another without breaking their embrace.

“I come from a large family. Six kids and my grandmother lived with us. Anyway my father was worried about us falling from the station wagon and installed bars on the windows. Other motorists imagined we were truants. We parked at the New Hampshire Tollbooth. My brothers and sisters used the bathroom. I came out. The car was gone. Seems my father had asked if I was in the car, and my brother told him I was in the bathroom. My father hated jokes and drove off. About a half-hour later my mother counted heads and asked my brother where I was. This time they believed him and raced to the tollbooth, finding me with a band of gypsies. My mother stole me out of their arms. We drove off without thanking them. At family dinners they say I was crying.”

“And were you?” Tammi stroked his thigh with teenage tenderness.

“I think I was scared.” The gypsies had given him ice cream. “Scared I might have to live with them. I saw how people looked at them. I just wanted to be the same as everyone else.”

“And you were.”

“For awhile.” His life had seemed doomed to repeat the middle-class existence of his parents; the clean house, gleaming car, TV nights, and weekends at the lake house, except millions of people lived in suburban spilt-levels, drove family cars, raised kids, worked 9-to-5, ate fast-food, and shopped at the malls. One less had to make a difference.

“That a story?” Tammi pinched an inch of soft inch under his ribs.

Sean showed no reaction to pain and said, “No, it’s the way I remember it.”

“Every teenager wants to join the circus at one point in their lives.” Tammi nuzzled his neck, smelling the fragments of his aroma underneath the tobacco and sweat. He was violent, robbed banks, and was useless on bass. None of which made him a bad person in her eyes and the teenager nestled closer without wishing for a dream, because she was living this one, until it was over for good.

MAYBE TOMORROW - A novel by Peter Nolan Smith Chapter 19

The evening doorman announced his arrival of Charles’ sister and the young man limped from the intercom to the terrace. He peered over the edge to the street several hundred feet below. The cars on 57th Street were the size of Hot Wheel racers and he questioned the wisdom in listening to his driver’s plan. There was no guarantee that Caroline’s could steal away Sean, whereas a fall from this height was 100% fatal.

"Stop stalling." Bobby Vacca shouted from the door.

"It's high." The pedestrians were invisible from this height.

"All the more to scare your sister." If Charles Ames III went through with this near-suicidal charade, he was a sucker for any crazy scheme. "There's no wind. You climb on the edge. Your sister sees you. She agrees to help you. You come down and it's on to plan B. Winning a young girl’s heart.”

“This is crazy.” Charles was shaking his head and Bobby strode purposefully across the terrace.

“Sure it is, but your sister gets her hooks into Sean and Tammi’s yours.”

“Why would Sean go for my sister?" His silk robe offered no warmth against the cold and certainly no protection from a fall of several hundred feet.

“ Middle-class guys are suckers for two types of girls. White trash tramps like Tammi or beautiful heiresses and your sister fits that description to perfection. Let’s stick to our script and Caroline will take care of the Sean end.” Bobby sat on the parapet. No carpet of pillows lay on the other side, but he shrugged to indicate that he felt his employer was too timid to risk changing his life. “It means more to you than me.”

Caroline was seconds from the front door and Charles searched the night sky for guidance. No star pierced the city’s light overdose. The wind was slight. The air frigid. A life alone presented as much risk as climbing on this wall and Charles announced, “I’ll do it.”

“You won’t regret this.” Bobby clapped his hands. He was one stap closer to a GTO. The front door buzzer sounded from across the living room.

“Get the door. I’m ready.” Charles climbed on the ledge and spread his arms in imitation of Peter Pan, except one step forward took him straight to 57th Street, instead of Never-Never-Land. When he wavered on the ledge, Bobby shouted on the way to the front door, “Don't look down."

"Trust me, I won’t.” This was much higher than the school roof two years ago and Charles mused over the future detoured by that fall.

Charles would have graduated in the spring. He would have gone on to Harvard and Caroline would have attended Radcliffe. They’d be halfway through their sophomore years, instead he was risking his life for a runaway. All because of pride and he pivoted carefully on the ledge to observe his sister storm into the penthouse.

Caroline threw her black fur coat at the driver.

With her disheveled blonde hair and the white shirt unbuttoned to the waist, Caroline resembled any number of haughty blonde models from the covers of fashion magazines instead of a second-year NYU film student. Fellow classmates fell in love with her by the dozens and her tall slender frame coupled with aristocratic features earned the interest of famous photographers and movie directors, but the cold blue steel in her eyes refused everyone

“I'd appreciate, if you kept your eyes to yourself." Her brother should have fired this thug long ago, instead of re-enacting a cheap version of the master/servant role reversal from Joseph Losey's THE SERVANT. His driver certainly exuded none of Dirk Bogarde’s sinister charm, as he asked in a sullen Brooklyn accent, "Sorry?"

"I’m not one of your cheap girlfriends." Caroline had little use for people from the outer boroughs and her father had raised her to consider this prejudice more social selection rather than prejudice. "Where’s my brother?"

"He's on the terrace." The driver pointed to the silhouette against the night sky.

“Why is he doing that?” She put his palm against the window’s thick glass. It felt like solid ice, only the cold was the least of her brother’s problems.

"Got me. I ain't no mindreader, but he’s been out there a long time.”

"Why didn't you get him?"

"I'll show you." Bobby opened the door and Charles Ames III lurched on the parapet. His sister gasped with genuine fright and he shut the door. "Each time I try, he pulls that routine."

"Did you call the police?" Caroline had claimed her brother’s fall from the roof was an accident. Now she wasn’t so sure.

"If he saw any cop cars, he’d jump.” Bobby appeared confused. “Why are you here anyway?"

"He called me and said we had to talk." The balancing on the penthouse wall transported her to his horrible accident on Homecoming Day.

Charles had scored two touchdowns against their prep school’s oldest foe and celebrated the victory by unleashing the town pond to flood Main Street. The police arrived to arrest him and her brother climbed a dorm roof to lead the students in a school cheer. The autumn sun painted him a god and he beamed the most beautiful smile that she had seen on a human being, but this deified façade cracked, when his foot caught on a shingle and their fellow students laughed at his mad scrabble for a hold, until he slid off the roof.

Caroline had to talk him from the ledge and told the driver, "Go make us tea. He'll be needing it."

"Sure.” The next scene was a set piece for the two main characters.

Caroline tapped on the glass and her brother waved to join him. She prayed it was not a trick and opened the door.

“I can see father’s apartment. His lights are on and___” He smiled with a simple serenity.

"Charlie, please come down from there. I beg you." She beckoned him with an outstretched hand. “We can talk about this inside.”

"You can't believe how free I feel standing on this wall." Charles Ames III stretched his arms like a tightrope walker testing the highwire after a fall. "You know I can remember everything about that day I fell; the smell of the wet leaves on the ground, the laughter of the other students, or your scream as I fell to the ground."

"I had expected you to bounce to his feet and laugh off the hurt" She had rushed to his side and watch the specter of youth fade from his eyes. "The police pushed me away and carried you to the nearest cruiser, while I begged God for her brother’s life.

"He must have been in a merciful mood, but not too merciful" Charles had hovered in a coma and the doctors at NYU spoke of his impending death. The machines plugged into his inert body emitted the same bouncing signals day after day. Drugs, prayers, and medicine were useless. "At one point the doctors wanted to pull the plug." Caroline had refused to leave her brother and held Charles’ hand in a mad attempt to establish a psychic contact to the soul drifting away from his body.

"But you didn't let them." His robe fluttered in the wind.

"No, I stayed with you." She ate sparingly and the baby fat melted from her bones. A lack of sleep smeared black circles under her eyes and Caroline understood how nursing Scarlett O’Hara had led to Melanie’s death in GONE WITH THE WIND. This evening she approached him slowly, "Please, Charlie"

“I’d like to, but___”

“But what?”

"I haven’t been much good to anyone lately. Guess I was feeling too sorry for myself.” Charlie joined his hands in prayer. "Well, I've joined this band. I play organ and this girl sings.”

"A girl?" Charles had exhibited little interest in women before and none after his accident.

“I'm in love with her."

“Congratulations.”

“The only problem is she doesn’t love me. Not yet.”

“How can I help you?” She would consent to anything to get Charlie off that wall.

“I need you to steal her boyfriend away." This was asking a lot for his sister and he was sure of her answer.

“I don’t have affairs,” Caroline declared adamantly and her brother lifted his weakened leg. She snatched at his robe, half-expecting Charles to slip from the silky garment into thin air. Fortunately her brother had belted the robe and toppled onto the terrace, where she wrestled him to the tiles.

"Stop it, Charlie.”

“Not unless you help me.”

“What’s wrong with flowers or a car?”

“She can’t be bought.”

“Everyone has a price.” Her recent exploits had proven this time and time again.

“Not this girl.”

“Why she different from the rest of the world?” Everyone was the same, even her.

“She’s a punk.” Charles lay on his back with his eyes searching the sky.

“You mean punk rocker?” A drummer from Julliard had told her about this fad on the Lower East Side. The alienation, rebellion, and nihilism sounded so juvenile. She looked at his hair and clothing. “Don’t tell me you’re a punk too.”

“I hear from your voice that you disapprove.”

“Charlie, there’s fun and there’s fun.”

A month after his accident Charles had opened his eyes and weakly squeezed her hand. Caroline told him that he would be fine without revealing the extent of his injuries and left the hospital in tears. She stopped in Washington Square Park, where a graduate math student asked her if she was okay. The West Virginian had a kind face and an athletic body. He told her about a girl named Cheri never kissing him and losing his mind in Fort Tryon Park. She laughed at his story and he suggested they have a drink.

Caroline was barely seventeen, but knew what this stranger wanted from her.

She had planned on saving her virginity for her wedding night in a tropical bungalow as the sun was swallowed by the Pacific Ocean. Saying good-bye to the young man insured that dream’s sanctity. Instead she had accepted the young man’s invitation and drank three margaritas at Trude Heller and then spent the weekend at the Hotel Earl.

His initial penetration hurt a little. The next time was a little more pleasurable, but there had to be more to sex than a man’s ramming his member inside her and she bought a book called THE JOY OF SEX. By Sunday afternoon she was the teacher and he was the student. On Monday morning Caroline left him sleeping in the bed and returned to the hospital. Charles asked where she had been. She had told him, “Out with a friend.”

She had kissed his forehead and he had whispered, “Be careful.”

“I will.” Recalling how in the last century a strong-minded ancestor had formed a utopia in northern Vermont, espousing that marriage created an attachment to a love other than that of God, she searched for his book in the family library and read that this cult had depended on anonymous sex to liberate the soul from the body. The sect had failed in the 1840s after a series of scandals involving inappropriate sexual practices such as lesbianism and sodomy came to the attention of the general public, but over a hundred years later Caroline decided to wage a solitary crusade to vindicate her precedent’s ambition of spiritual independence.

After acceptance NYU’s film school, she had ruthlessly preyed on the artists of Soho, students from Julliard, and couples at Plato’s Retreat. None had seen her loft in Tribeca, possessed her telephone number or knew her last name. She considered any attachments as a threat to her hedonistic liberty. Her body was hers alone and no one had any domination over it, unless she counted her brother, who rose to his feet on the terrace. The wind was blowing from the north. Winter had come to New York.

“Caroline, your fun ends where everyone else’s begins.”

“Is there something wrong with that?” Caroline kept hold of his arm.

He had witnessed the full range of her passion at Plato’s Retreat and the difference between her desperate wantonness with Tammi’s serene eroticism on the Dollhouse stage midnight and 4am. Charles pushed his sister away, determined to get back on the wall. “I wish I could say yes, but I’m not you.”

“You’re serious.”

“Very.” Leaping over the wall was not a joke anymore and Caroline lowered her head to say softly, “I’ll do it.”

“No questions asked.” Charles hugged his sister.

“None.” Questions needed answers.

"I knew I could count on you."

"And I you.”

Life would be much easier without any dependencies, but her brother was the only person in her life about whom she cared and they walked into the penthouse arm in arm as a team, since it was always better two against one, when you were stealing away the one thing most people die for besides money.

MAYBE TOMORROW - A novel by Peter Nolan Smith Chapter 22

The next day Johnny hit four banks in forty minutes and the taxi driver dropped him at 8th Avenue and 14th Street, where bought a two chocolate donuts and a bottle of Yoo-Hoo. He wasn’t hungry, but was alarmed by the increasing thinness of his body and forced himself to finish the donuts. The sugar charge burned off quickly and he barely made it to the hotel. As he struggled across the lobby, Ernie shouted out. “Johnny, you on a diet?”

"Trying to reach my fighting weight.” Johnny laboriously scaled the stairs to room 301, where Sean was singing SUMMER’S ALMOST GONE to a grumbling bass. Johnny smiled, thinking that Tammi must have forgiven or forgotten this morning’s trespass and proceeded to his room, glad someone was having a good time.

He opened the door.

Frankie was lying half on the bed and half on the floor. A needle and spoon rested on the night table. He was breathing with the lungs of a man on Mars and Johnny lifted his legs onto the mattress. He was dying to break his new abstinence, instead he grabbed his guitar, hoping the music could calm the demons raging in his body.

Johnny played a slow version of the Airplane’s SOMEBODY TO LOVE, stripped the funk from NIGHT TRAIN, accelerated Miles’ KIND OF BLUE, ripped through Moby Grape’s OMAHA, savaged ME AND MRS. JONES, sang along to Elvis’ SUSPICIOUS MINDS before finishing this set with a soulful rendition of Dave Mason’s LOOK AT YOU LOOK AT ME. Putting his guitar down, he dropped his face into his palms and emptied his sorrowful soul into his hands. “Why me? Why me? Why me?”

The answers pigpiled him.

His only bully was the needle on the night table.

Its narcotic mysticism would dispel his pain, vanquish the anguish of being gay in America, and blackjack the powerlessness of his youth. He clenched his fists, until his nails cracked the skin of his palms. The veins popped from under his skin. Opening his hands, he wondered why he was resisting the drug.

Tobacco killed hundreds of thousands of people. Booze was another mass murderer.

Heroin might OD five thousand in a good year, but he was too young to think about dying. To do drugs or not do drugs was up to him. No one else cared about his actions. Frankie least of all, but sometimes he had to worry about himself. After five minutes the storm had passed and Johnny shook Frankie awake. “We have a rehearsal.”

“Gimme ‘nother twenty minutes sleep,” Frankie wished that GTH had an automatic drum machine like Suicide.

“That's not sleep, it's a coma." He cued Bowie's REBEL REBEL on the stereo. It was loud enough to dredge Frankie from his slumber.

“Okay, okay," Frankie absently examined his needle marks and pulled on a long-sleeved shirt. "Is it cold in here?”

"No." Johnny was burning with a fever. "You're dope sick."

"And you?"

“I’m doing fine.” Johnny massaged a swollen gland under his armpit, which seemed larger than yesterday.

Frankie tugged on his jeans and said, “You have another nasty red mark on your neck."

"Shit." Johnny tied a scarf around his neck.

“What is that shit?”

"Just my body’s revenge for getting any dope. I'll be fine in another week."

Frankie figured Johnny knew best and he recollected the previous night’s events.

"Johnny, Sgt. Weinstein stopped me on 57th Street.”

And what you tell him?” This wasn’t a good sign.

“Nothing, because I knew nothing.”

“Good.” The overweight detective's questioning Frankie was a little too coincidental for his tastes.

“You doing anything I should know about?”

“Just this band, why you ask?” He had a pocket filled with money. Frankie wasn’t stupid. Seeing that much cash would tell him that he knew more than nothing.

“No reason.” They were supposed to be a team and his not telling him everything hurt. Two could play that game, but Frankie decided to give his friend the benefit of the doubt. “One more thing. I was at the Dollhouse and saw Charles spying on Tammi like she was a lollipop.”

“That comes as no surprise.” The millionaire’s infatuation exceeded the boundaries of puppy love. “He’s a big boy and Tammi can make her own decision, so it’s none of our business. Get dressed. We’re supposed to be at the loft in less than an hour."

Frankie dressed, while Johnny laid his guitar in its case and stashed the money from the ATMs in his boot. The teenager traveled light with a pair of drumsticks and they walked to room 301. No one answered the repeated knocks and Frankie said, "He must have gone. You mind if we stop at Sunshine Fruits?”

"It's not on the way." The East 4th Street bodega was a hot spot for copping dope.

“I’ll be quick,” Frankie was betting on Johnny’s weakening in the face of temptation. The guitarist was in the throes of kicking a jones, which was never a pretty picture to another junkie.

“And careful too.” Johnny didn’t have to strength to prevent Frankie from getting ripped off by the fiends of the Lower East Side.

“I’ll be prepared for anything.” Frankie had a knife in his pocket.

”Anything covers a lot of territory.” Johnny hoped that the young drummer wasn’t gaming him. Everyone turns on everyone in this scene and Frankie was no saint.

”I’m just getting a bag and getting straight.” Frankie sensed the distrust from Johnny, but blamed it on the jangles of kicking dope.

They hailed a taxi in the Meat Market. The drive over to the East Village took about ten minutes. East 4th Street was crowded with early evening dabblers. The guitarist remained faithful to his resolve, while his drummer shambled to the shooting gallery, reputedly the source of Sean's OD.

Tapping on the cab’s Plexiglas barrier, Johnny told the nervous taxi driver, "Man, we'll be leaving soon."

"Soon can't be soon enough for me," the driver replied, since 95% of the people on the street were criminals in the eyes of the law. Worst was Johnny recognized more than a few. Junkies with junkie stories and junkie woes. He was one of them and nothing would ever erase his baptism. Once a junkie, always a junkie.

Frankie scored in record time and the driver raced to make the light on Avenue B. They reached the loft in Chinatown before anyone else in the band and GTH’s drummer headed for the bathroom. Before he shut the door, Johnny warned, "Go light on that stuff. It nearly killed Sean."

“I’m only doing a little." Frankie closed the door to take his chance with the devil.

After arranging the gas burners in a circle, Johnny sat inside the Saharan heat. He was still cold, as his trembling hands counted the most recent score from the ATMs. Three weeks ago $1200 had been a fortune.

One glimpse at Charles Ames III’s penthouse had revealed the true composition of real wealth; the car, the driver, the penthouse, the paintings, furniture, and the respect of the doorman.

The Ames’ money had been around over a century and their wealth was protected by trust funds and codicils for several more generations. GTH’s success on the Top Forty was no assurance that the money stayed in a musician’s pocket. The Beatles hadn’t owned any of their original songs, Colonel Parker had screwed Elvis from day one, and Tommie James and the Shondells hadn’t earned a penny from CRIMSON AND CLOVER. The only money he could depend on was that he took for himself and Johnny stashed the $1200 in his jacket. It was safer on him than a bank.

Picking up his guitar he strummed the chords to Love’s SIGNED DC, altering the progression to an entirely new song by the time Tammi walked into the loft. She looked about fifteen in her Catholic school outfit and white leather coat from Cheap Jack’s thrift store.

Exhausted after the early morning shift at the Dollhouse Tammi laid her head on his shoulder. Her puffy red eyes along with the clothing in the plastic bag in her hand indicated her insolvable differences with Sean had necessitated a change of address.

“Tough night?”

Fighting a sniffle, the redhead confessed, “I left Sean."

“You happy with that?” Johnny suspected she couldn’t shut off her love that fast.

"I’ll be the same as I ever was." Tammi couldn’t predict the date of her recovery and listened to Johnny’s guitar. "That new?"

"This?” Johnny repeated the four bars to the chorus.

"It’s catchy.” The music filled a few holes in her heart and she hummed the chorus, following Johnny into the bridge.

"Can you think of any lyrics?”

"Play it again." Tammi tapped the seesaw emotions in her heart and she sang, "Maybe tomorrow. I'll know all about the future. Maybe tomorrow, I'll know about you and me."

”Not bad.” Johnny motioned to a piece of paper and a pen on the floor. “Write them down.”

Tammi scratched out the lyrics to match the mood of a love gone bad. She refined the stanzas during his breaks. Sean’s desertion had blessed her with a vision and Johnny declared,"There’s our ballad."

“Ballad? I didn’t think punk had ballads.” Frankie emerged from the toilet and sat the drums with his eyes silent pins of black. He banged a 4/4 beat on the snare and Johnny slowed his pace on the guitar. “Not so fast. This is our ballad.”

“Can’t we do a ballad fast?"

“Sure, but it isn’t a ballad. Try it at half that speed.” Johnny suggested impatiently and Frankie nodded, “Oh, a slow song.”

The elevator ground its way to the penthouse and the door slid open for Charles. He limped out, wearing a full-length leather coat and a KGB fur hat. He really was a prince. Bobby wheeled a handcart loaded with new mikes and monitors.

“These are for us.”

Elated by his generosity Johnny asked, “You buy them on sale?”

“They’re brand new. Consider it as an early Christmas gift.” Charles sloughed off the coat to reveal his gleaming plastic vest and pants. He appeared a little too new to be associated with the rest of GTH, although a single shopping binge could alter their appearances, if he lavished most of it on Tammi.

“Thanks, man.” Frankie lifted a monitor. "Now we'll be able to hear ourselves."

"Tammi can use a new mike." Charles avoided any eye contact with the redhead, fearing the guilt of his conspiracy with Caroline was tattooed on his skin in bold letters. He stood behind the B-3 and plotted his hands over the keyboards to join the new song’s chorus. The words practically predicted their future togetherness. "This have a name?"

“Maybe Tomorrow.”

The four of them repeated the song twice before Sean slinked into the loft, sporting his new scars and bruises. The band stopped and Frankie snickered, “Caveman had a rough night?”

“I ran into a door,” Sean told the other band members.

“More it ran into you.” Bobby had heard about the brawl from Dove at Trash n Vaudeville, at which Charles had been shopping earlier this evening. Tammi wasn’t amused by his tardiness and snarled, “You're late.”

“Sorry.” Another day or two of this and the two might as well have never met on the highway. He had to talk with her, but now was not the time and he plugged his bass into the amp.

”Save your sorries for the rest of the band.” The obvious ridiculousness of his explanation nullified her wavering of her heart.

”Sorry.” He bowed his apology to the rest of the band.

"Gimme a minute to show Sean the new song’s chords,” Johnny said to lessen her obvious antagonism.

The rest of the band took advantage of the break to huddle before the space heaters in a conspiracy plotting Sean’s exile to the nearest Siberia , as Johnny demonstrated the fingerings to Sean.

"No woman can stand a loser, so I need you to play bass like your life depended on it.”

"If I don’t, I’ll be dead in GTH,” Sean sighed with resignation.

“All you have to do is sing along with Tammi.” Johnny handed him the lyrics. “Can you handle that?”

“Do I have a choice?” He walked to the amp.

“Not tonight.” Johnny raised his mike. “Your best and nothing else.”

“That’s all I can give.”

“Then everything will be perfect in the end.”

The guitarist assumed tonight they would return to the hotel, listen to music, and Johnny might give him a massage. After that anything was possible and he restrained his baser urges to guide Sean through the chord progression.

Sean read the lyrics. Each word targeted him. His older brother had felt the same way about the lyrics of YOU’RE SO VAIN without ever having met Carly Simon and he asked Tammi, "You write this?”

"I did." Tammi stood behind Frankie and Charles, almost as if they were her bodyguards.

"These are great. I really mean it."

"Let’s hear how it sounds, cause we were short an extra song for our gig." Johnny commanded with a leader’s assurance.

Charles, Frankie, and Sean each reacted with a croak. "Gig?"

"CB’s has scheduled us for the midnight slot on Monday night," Tammi intoned she had arranged it. Johnny forgave her usurping their assumption, because she was aggressively seeking a confrontation with Sean and it was better nothing stood in her way.

Sean stammered, “We ready?”

"We will be, if we rehearse non-stop.” Tammi wasn’t accepting any excuses for failure.

“This is 3/4 everyone.” Johnny stomped the beat. “One-two-three."

The band ran through four bars before Tammi's voice skated over the bass and organ,"I'm leaving you today, don't ask me when I'm coming home, you know why I'm going away. But maybe tomorrow, I'll come home."

Frankie steadied the beat, Johnny slashed his lead on the ten-second bridge and harmonized with Sean on the closing chorus. The band was in synch and each instrument enmeshed clearly on the new PA.

Charles witnessed the fulfilment of Johnny’s prophecy in the Lincoln. This was rock and roll at its simple purenesswith no violins, no lights, no synthesizers, no pyrotechnics, or pseudo-opera theatrics. Three chords and lyrics to save a world on fire were enthralling in their effortless majesty, the band wished Tammi had written another hundred verses, but they hit the final chord in unison, gazing at each other with wonderment, as the song's spell faded from the amps with a buzz.

“That’s more like it.” Tammi smiled at Johnny.

A ragged chord arrangement and her anger had created a thing of beauty. Sean’s bass had filled an overdue hole. Before anyone could celebrate this breakthrough, the elevator began its ascent and Johnny asked, “Anyone expecting visitors?”

“Not me.”

Neither Johnny, Tammi nor Sean caught the secretive glance between Charles and his driver. Frankie cracked a rimshot.

“Maybe a Chinese brujo’s giving a chicken the Final Rites?”

The elevator door slid open and a blonde wraith emerged from the flurry of feathers.

Johnny and Tammi were instantly jealous of the black fur coat covering her silvery flesh and the silk sheath shimmered like coal on her pale flesh. The slick Italian leather boots’ spike heels answered any foot fetishist's fantasy and the shoulder-length platinum hair cast a ghostly lunar halo around a timeless face. Caroline Ames smiled with an unconscious sexuality bespeaking a deeper desire, for her arrival had impeccably coincided with the finish of their song. "So was that noise ‘punk’?"

“Yeah, and who are you?” Johnny released the neck of his guitar, identifying the intruder from her incredible similarity to Charles and the organist creaked from his B-3. “This is my sister, Caroline.”

Caroline had spared no expense to accentuate her sexual charisma.

Sean’s staring indicated that she had succeeded in making the improper impression and the organist introduced the rest of the band, saying, “You’ll have to excuse her. She's not musical."

“Who needs to be musical, if I have the quarters for the jukebox?” The blonde’s condescension reminded Tammi of the Kittery High cheerleaders, but they were trailer park trash in comparison to Charles' sister, who had reaped the benefits of rampant wealth without ever having suffering a catastrophic accident to temper her haughtiness. Tammi was keen to humiliate Charles’ sister and said, "Everyone's musical. You ever try a tambourine?”

”Do I look like a gypsy?” Caroline instantly loathed the young redhead, rendering Charles’s request so much more enjoyable. She gave the brutish bassist a simmering glance and she laughed, his Adam’s apple bobbing with nervousness. "But I can give it a go."

"Hey, Tambourine Girl. Play a song for me." Frankie tossed her the jingling circle. “ Catch.”

“I’m ready, if you are.” Caroline snatched the tambourine from the air and shed her fur with ballerina fluidity. Her miniskirt barely covered her ass and Sean almost missed his cue, as Johnny said, “SUMMER’S ALMOST GONE, on four.”

Banging the tambourine against her thigh, Caroline observed the bassist sing as if he was reading the lyrics off an invisible wall with the aid of a bouncing ball. He was not handsome like a male models from GQ or the actors from the Adler School, yet his battered face possessed a savage aura, whihc she prayed wasn’t an act.

Sean struggled to concentrate on the music, fighting off the illusion that Nico from the Velvet Underground had materialized from their concert at the Boston Tea Party in 1967. He self-consciously lowered his head to the microphone, as the band launched into WAY TO NOWHERE.

His attraction to Charles’ sister was obvious to Tammi and, if he couldn’t control himself in front of her, the rich bitch could have him. She had her voice, her youth, and growled the chorus, pledging her future to a million tomorrows alone, "You and me got nowhere to go."

Sean’s vocals supported Tammi’s lead and his improved bass laid a solid bottom for the rhythm section. GTH’s sound could easily be confused with power pop with Johnny’s iridescent chord progressions cutting through the melee of feedback. Striking the coda, the entire band segued into LOVE NO LOVE to complete their third song in a row and the entire band smiled in recognition of this breakthrough. Two minutes later Tammi shouted, "I’m looking for love it don’t matter who, just as long as it’s not you.”

Johnny dreaded the crossover, except each of them leapt the chasm between the two songs on one beat and they tightened the core of music into TAKE ME HIGHER. Frankie flailed at the drums in a near-epileptic fit, Sean mechanically thumped the bass, and Charles’ adoration of Tammi contributed to create another miracle, as the teenager shouted a final ‘take me higher’.

The band stopped as one and breathed in unison.

“Was that as good as I thought it was?” Frankie asked, sweat pouring from his pores.

“I’m not a partial observer,” Johnny admitted cautiously and the band members regarded Caroline, who tossed the tambourine at Frankie.

“I expected the worst, but it was great and nothing like anyone else has heard before.”

The entire band was elated by this success after three weeks of questionable hard work, but Sean’s concentration on his voice and bass had not permitted him to appreciate the difference in the band and he approached Caroline to reaffirm her opinion.

“You’re not kidding about it being good?”

"GTH isn’t a joke." Caroline tilted her head to the side and a curtain of blonde covered one eye. This Veronica Lake affectation never failed with man or woman. She studied the scars on his face. They were new and real. His left eye was puffed shut. "Charles has been so removed from the world that I had been expecting a dreadful version of Barry Manilow, but GTH isn't disco, soft rock, or metal."

"It's Punk." Sean faltered slightly under Tammi's acid gaze.

Caroline was an expert at regaining a man’s attention and lightly touched a crescent cut on his forehead. Her brother had mentioned his violent streak and she found herself strangely drawn to him as would any heiress be to a stable boy.

"Those are recent?”

”Last night.” Sean glanced over to Tammi, who was talking with Charles at his B-3. “A difference of opinions about music.”

“You’re a man of conviction.” Caroline disregarded the redhead’s glare. It wouldn’t take much to wipe the adolescent scorn from her face and Charles’ sister wouldn’t be satisfied, until the young girl discovered that she had sex with the bass player.

“Maybe you’re right.”

Caroline grazed his battered neck with her fingertips. "I can show you less violent side of the city.”

Charles’ sister caressing Sean was too much for Tammi to bear. The singer put on her leather coat, its cheapness exposed in each crease and tear. She hadn’t failed to compete with the girls in Kittery and Caroline was a thousand times pretty than this year’s homecoming queen. The redhead excused herself from Charles and headed for the door, cutting tonight’s rehearsal short. The organist clattered after her on his cane.

"You leaving?”

"I have to find a place to live." Tammi had been expecting Sean to apologize. She would have forgiven him this once. Now it was too late.

"There’s plenty of space at my place." Charles hid his joy at Bobby’s plan having reached stage one.

“Thanks for the offer.” The 57th Street penthouse fulfilled any stripper’s or debutante’s materialistic musing. Unfortunately his unspoken infatuation was too much to handle tonight and Tammi smiled kindly. “But I think it’s best, if I stay with a friend."

Charles was disappointed with her refusal, but offered, "Can I give you a ride?”

"Sure, to East 13th Street," Tammi’s staged exit failed to interrupt Sean's conversation with Charles' sister. “I'll skip the good-byes tonight."

“That’s fine by me.” Charles limped after Tammi into the elevator, trailed by Bobby.

Frankie raised his eyebrows to Johnny, who packed his guitar in its casse to announce the rehearsal was over.

Glancing at the silhouette of Sean and Caroline against the Lower Manhattan skyline, Johnny swallowed his frustration that Sean would never notice his love as long as it was blinded by his lust for women. The guitarist flicked off his amp and walked to the stairwell, shouting, "Shut off the lights, when you leave.”

The clang of the door surprised Sean, though Caroline had instinctively sensed her brother’s happiness before his departure. “They left.”

“We can catch them downstairs." He had to speak with Tammi.

“Why the rush?” Caroline arched her back for her shirt to slip off her shoulders as a declaration that she wasn't interested in seeing anyone other than him. Holding it with her fingertips, she whispered, "Try it on."

“It won’t fit.” Sean fingered the glossy material, as if a message in Braille was written on the silk.

“Oh, yes, it will.” She helped it over his t-shirt, the material clinging to his muscles.

“It’s soft.” Sean stammered for the first time in weeks. He needed a guide to their next destination and Caroline provided the assistance by placing his hand on her breast. “This is softer."

She wasn’t lying and Sean was frozen by the deluge of possibilities. She must have been reading his mind, for her neck swiveled sinuously. "You waiting for an invitation?"

He pushed her against the wall and pressed his groin to her belly. Caroline closed her eyes, as if she were trying to break any connection to her body, although her hands running over his chest demonstrated that she was far from blind and she said, "Take me onto the roof."

“It’s freezing.”

“Are you scared of a little cold?” Caroline loved having sex in strange places.

Sean shook his head and dragged her onto the roof. Her body shuddered with the exposure to the Arctic air and she placed her hands on the wall.

"Do it quick."

He lifted her skirt. She wasn’t wearing any underwear. Her skin glowed in the shadows and her right hand directed his erection to a moist vee between her legs. Seizing a shank of silver white hair dangling down her back, he thrust forward, forgetting about the Tammi's bi-hued eyes. This wasn’t going to take long.

Caroline sensed his urgency and cupped his testicles, then suggested provocatively, "Cum on my ass."

He obeyed her command with a dying gasp. There was no romance in this coupling. It was strictly a fuck and Caroline pushed him aside, almost as if she had hired him for a few minutes.

"Now I'm freezing. Let's go inside."

The drafty loft was a furnace in comparison to the roof.

Sean stared at the mike.

Begging on his hands and knees wouldn’t rectify this second strike with Tammi. It was all falling apart and he was a shell of who he had been yesterday. Nerves and skin strapped across a skeleton, inside which was a haunted house.

Caroline was in danger of losing him and exorcised the unseen presence of the redheaded singer by licking at his neck.

"So are you ready for a sight-seeing trip?"

"Where?" Sean was eager to avoid CBGBs or Max's Kansas City.

“You into dancing?" Caroline didn’t want to see the teenager either.

"You mean 'disco'?" The word had been reincarnated from the 60s. The clubs were 100% dance and the complete opposite of punk.

"Is that a dirty word?" Caroline reached into her pocketbook and sprayed on a perfume killing every scent in the world, but hers.

"Disco's fine, if you cut out the Hustle."

“No one at Les Mouches hustles anymore.” She stood with her arms extended from her sides and Sean helped her with the black fur coat. “Your want your shirt?”

“It’s sexier on you."

None of the lesbians at the Sahara complained about her dancing topless and the fags at Les Mouches were dying to meet a genuine punk. To finish the evening the Cisco Disco with its intense popper clientele was ideal.

“You have anything against 'gays'?”

”Nothing at all, but I’m not looking to convert.” Sean had forgiven his best friend in Boston turning queer after receiving tickets for the 6th game of the 1975 World Series, which his friend had wheedled from an anonymous baseball player.

"No one else is getting their hands on you." Caroline squeezed his nipple hard.

“Is that a promise?” They were much too alike to misunderstand the threat that they posed to each other

“For tonight it is.”

Caroline hauled him into the elevator and pushed the STOP button.

Once had not been enough and he was willing to give her his body, but not his heart, which along with his soul had been promised to Tammi with a vow stronger than lust. He just wasn’t willing to admit that he had failed keep that promise, because he was a man alone with a woman in an elevator above a Chinese slaughterhouse and that picture only held beauty for two people. Any more would have been asking for too much.